You can take the MTP AV on the road because it can operate with or without a computer. Because the MTP AV's internal memory can be programmed from the front panel,the MTP AV is the perfect choice for live performance applications where fast and flexible MIDI patching is essential. You can merge any combinations of the eight inputs simultaneously to any combination of the eight outputs. For Macintosh®, Windows®, and stand-alone setups.The MTP AV is also an 8x8 merger and router. The MTP AV pulls it all together for stable, centralized, hassle-free synchronization and MIDI networking. Or control everything from an MMC controller like JL Cooper's CuePoint™. Drive your ADATs from your sequencer without an Alesis BRC™. Even Digidesign superclock!Slave ADATs, Digidesign hardware or word-clock compatible devices to SMTPE and video. The MIDI Timepiece AV takes our world-renowned MIDI Time Piece II and adds synchronization that you really need, like video genlock, ADAT sync, and word clock sync. Tested.Motu MTP AV Parallel, the gold standard of midi control from a PC and never equalled in the USB era.Combine MIDI with ADATs, ProTools™, and video. "MOTU Digidesign MTP AV Midi Timepiece Mark Of The Unicorn. Right lip of faceplate needs to be bent back to straight. Numerous scratches and other signs of normal studio use. I don't have the equipment to do an audio test. Keep writing music, otherwise we're gonna run out someday.Lights up. At least it should alert you to the fact that not all is perfect when it comes to hooking up external gear. And I'm glad I gave it a try because it solved all my MIDI drift issues. What got me interested were the reviews I read from other V-Drum users who got good results. It connects directly to your computer via a USB connection and has two MIDI in and out connectors for your hardware. It's an old piece of gear that's been around for a long time. So my point in creating this thread is to suggest that if YOU are using external hardware and experiencing a problem with MIDI drift (not clocking or latency issues, but random, unexplained rogue notes just going wherever they want to.) then consider trying the Roland UM-ONE mkII. And yesterday I tracked my Korg and did about 7 passes of different sounds and all of them are in perfect sync with one another on their respective S1 audio tracks. Everything sounds the way I had expected it to. My V-Drum performances sound the way I recorded them, finally. It was only about $50 with tax here in Canada, so I thought I'd give it a whirl. Well, not the light, but an ad for a Roland UM-ONE mkII. MIDI cables from the Korg to the Focusrite and the result was that the notes would randomly drift, which means that the recorded performance would not tightly sync with the existing material, making it useless. In a second situation, I wanted to get the organ sounds from my old Korg 01Wfd into a song I was working on in Studio One. This was never consistent (which would suggest poor playing) and it made the recorded material really hard to edit quickly. Whenever I would record my performances, no matter how tight and even my playing sounded in the headphone mix, it would always be recorded with "drifting" where some notes lagged behind. In my situation, I have a Roland V-Drum kit that I was running via MIDI cable into a Focusrite interface (of the Scarlett series). I wrote about this somewhere before but wanted to let people in on something I've found to solve a major issue with recording external sound sources.
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